This novel chronicles his journey from depressed ex-student to depressed would-be do-gooder to depressed killer of older women to slightly less depressed man in love. Sonya Marmeladov Sofya Semyonovna Marmeladov A quiet, modest, suffering prostitute who will become Raskolnikov's chief redemptive figure. In short: the characterization in this novel is flat-out genius. In Crime and Punishment Raskolnikov, deals with his sufferings in a different way as to that of Shukov. Prior to his entrance the reader is already under the notion that Svidrigailov is evil because there is mention of him being responsible for the death of his wife, and also a carnal crime involving a young girl. She confronts him one last time and, after final refusal, Arkady shoots himself in the head.
Widely considered the best psychological novel ever written, it explores one of the most primordial of human emotions: guilt. They find Katerina Ivanovna surrounded by people in the street, completely insane, trying to force the terrified children to perform for money, and near death from her illness. Semyon Zakharovitch Marmeladov A dismissed government clerk who is an alcoholic. Raskolnikov is under torment as he attempts to reconcile these two sides of his character battling for control. Exiled people despised and hated Raskolnikov, feeling that he considers himself a higher and better than them, although position made them all equal. As it is necessary for a story to have a protagonist, it is also essential for an antagonist to be existent. Razumíkhin Dmitry Prokofyich is Raskolnikov's loyal friend and also a former law student.
At the end we are able to forgive Raskolnikov for he has finally confessed and will go through a moral rebuilding process. Raskolnikov has to determine who he is and what he believes. So, Raskolnikov and Svidrigailov are two people with many similarities but one critical difference that makes one the protagonist and the other the antagonist. Lebezyatnikov appears and tells them that the landlady has kicked Katerina Ivanovna out of the apartment and that she has gone mad. He meets Sonya Semyonovna Marmeladov, who is sweet, innocent, a good Christian and falls in love with her — but Sonya is also forced to work as a prostitute to support her family. He sternly announces that a 100 ruble banknote disappeared from his apartment at the precise time that he was being visited by Sonya, whom he had invited in order to make a small donation.
He places ''whatever coppers he happened to find…and puts them unobserved on the windowsill. Without knowing why, he visits his old university friend Razumikhin, who observes that Raskolnikov seems to be seriously ill. It's kind of like a BuzzFeed quiz. Sonya obeys, afraid that her sister Polenka will have to go instead. We soon learn that Sonia now rents a room from a man named Kapernaumov. Raskolnikov equates his sister's actions with Sonia's decision to become a prostitute in order to help her family.
Those who use artificial language—Luzhin, for example—are identified as unattractive people. He doesn't try to explain these coincidences and simply states them as matters of fact. In order to find the answers, he decides to commit a murder and to rob an elderly pawnbroker and moneylender. He sincerely apologises for his previous behavior and seeks to explain the reasons behind it. Raskolnikov does evil for the same reason that Svidrigailov does evil.
The main drama of the story depends on these personalities and the reasons they react in such a way. He serves time in jail. Feeling renewed, Raskolnikov calls on Razumikhin, and they go back together to Raskolnikov's building. In it, he returns to the innocence of his childhood and watches as a group of peasants beat an old mare to death. But, in reality, it's even better because with Dostoevsky writing this thing, the scummiest of characters is a little bit angelic, and the most angelic of characters is a little bit scummy. From another point of view, the novel's plot is another variation of a conventional nineteenth-century theme: an innocent young provincial comes to seek his fortune in the capital, where he succumbs to corruption, and loses all traces of his former freshness and purity. Marmeladov's death and the small ceremony with the priest serve as a pivotal moment in Raskolnikov's story.
Presumably, the murder of the pawnbroker was an experiment of his theory. We know: it sounds as if we just called you a special snowflake and assured you that Crime and Punishment will be more beneficial to your special snowflakiness than reading every Chicken Soup for the Soul essay collection ever written. Rodion Raskolnikov and Arkady Svidrigailov are two exciting and original characters that have many similarities and one critical difference that make them what they are. He rarely, if ever, voices his feelings. Sonya is near him, still loving him and believing in him. In Mc Bride, William Leon.
However, the remainder of the novel concerns philosophical and spiritual discussions on the possibility of moral rehabilitation in a world of crime and temptation. Dunya Avdotya Romanovna Raskolnikova — Raskolnikov's beautiful and strong-willed sister who works as a governess. His theory that he has tested on himself. In Crime and Punishment, Dostoevsky fuses the personality of his main character, , with his new anti-radical ideological themes. The physical image of crime as crossing over a barrier or a boundary is lost in translation, as is the religious implication of transgression. Raskolnikov like the rest of the world feels disgust when the truth about her job is revealed, but then both he and the readers realise that a humiliating job has never touched her soul. The dream is later mentioned when Raskolnikov talks to Marmeladov.
I enjoyed how the storyline was about a mystery that was already revealed in the beginning of the book, but it still kept the audience wanting to learn more about the still mysterious character. How can the reader believe that a murderer is the protagonist? Despite its title, the novel does not so much deal with the crime and its formal punishment, as with Raskolnikov's internal struggle the book shows that his punishment results more from his conscience than from the law. Ironically, he enters into the story right after Raskolnikov awakens from a nightmare in which he tries to kill the pawnbroker but she refuses to die! Yeah, I've read that one. As he struggles with the guilt that is forming inside of him and the meaning of the police summons, Raskolnikov momentarily considers throwing himself on the ground to pray. The student meets him in a bar, where he spends time trying to forget the murder he committed. There is the academic side, which relies on logic to understand the world.