Matthew arnold literary criticism. A Short Analysis of Matthew Arnold’s ‘Growing Old’ 2019-03-03

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Matthew Arnold

matthew arnold literary criticism

In 1834, the Arnolds occupied a holiday home, Fox How, in the Lake District. As examples of erroneous judgements he says that the 17th century court tragedies of the French were spoken of with exaggerated praise, until Pellisson reproached them for want of the true poetic stamp, and another critic, Charles d' Hricault, said that 17th century French poetry had received undue and undeserving veneration. They are far better recognised by being felt in the verse of the master, than by being perused in the prose of the critic. According to Arnold, truly great liteature and thinking springs forth from an epoch of great ideas, and these epochs are manifested when the great ideas reach the masses. Former editor-in- chief of The Arnoldian and author of annotated bibliographies of Victorian poetry and the eighteenth-century novel, Mazzeno offers pellucid, informative, and witty accounts of Arnold's critics.

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Matthew Arnold: Poetry & Criticism

matthew arnold literary criticism

Starting with Matthew Arnold, the critic comes into his own, and has only gotten more and more important as we move to the end of our century. So, the poet wants to aware all the human being from this disaster created by the sufferings, sorrows and melancholy. There is criticism of life for you, the admirers of Burns will say to us; there is the application of ideas to life! Social criticism He was led on from literary criticism to a more general critique of the spirit of his age. The dissatisfaction is natural; yet a lively and accomplished critic, M. Now Arnold firmly believed that these works in the canon like the canonical books of the bible , were aesthetically superior, and that they could be shown to be so, by objective disinterested criticism. Arnold said poetry should deal with ideas not facs. What are merits and demerits of Arnold as a critic? Arnold also wants the modern writer to take models from the past because they depict human actions which touch on 'the great primary human affections: to those elementary feelings which subsist permanently in the race, and which are independent of time'.

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Matthew Arnold :: English Language Poet :: English Poetry

matthew arnold literary criticism

The needful qualities for a fit prose are regularity, uniformity, precision, balance. Examples of what Matthew Arnold is talking about can be illustrated in recent times when periods of lackluster creativity in movies or music have been kickstarted by exciting new talent brought to the attention of the masses by critical success rather than commecial success. Arnold is, at his best, a very good but highly derivative poet. So what we're saying is that for Arnold, criticism has a value that transcends pragmatism very Kantian. To Arnold poetry itself was the criticism of life: 'The criticism of life under the conditions fixed for such criticism by the laws of poetic truth and poetic beauty', and in his seminal essay The Study of Poetry' 1888 he says that poetry alone can be our sustenance and stay in an era where religious beliefs are fast losing their hold. He became an advocate of 'touchstones'.

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Matthew Arnold as a Literary Critic

matthew arnold literary criticism

Very few of us are great poets. A piece of literature should be examined on its own merits, without influence from the critic's own beliefs or values. Russell editor , Letters of Matthew Arnold, 1849-88, 2 vols. There are ages when poetry flourishes more, because there are more ideas. He compares the people struggling and running in their ambitions to the armies fighting at night, unknown of why and with whom they are fighting.


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Literary criticism

matthew arnold literary criticism

By eluding sterile conflict, by refusing to remain in the sphere where alone narrow and relative conceptions have any worth and validity, criticism may diminish its momentary importance, but only in this way has it a chance of gaining admittance for those wider and more perfect conceptions to which all its duty is really owed. Scott James, comparing him to Aristotle, says that where Aristotle analyses the work of art, Arnold analyses the role of the critic. And yet, I say, Chaucer is not one of the great classics. I pray that our unrivalled happiness may last. The more thoroughly we lay the groundwork, the better we shall be able, it may be said, to enjoy the authors. Many critics feel that they now have a great plurality of methods and approaches from which to choose.

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The Literary Criticism of Matthew Arnold

matthew arnold literary criticism

The birth of Renaissance criticism was in 1498, with the recovery of classic texts, most notably, 's translation of 's Poetics. So if the only way to do this, is the only way to get to joy, then there are going to be very few happy people, since so very few are poets! One is, that men cannot do without it; the other, that they cannot do with it as it is. So even Wordsworth, later in life, said that he shouldn't have wasted his time with criticism. It is charlatanism, conscious or unconscious, whenever we confuse or obliterate these. We are to regard Dryden as the puissant and glorious founder, Pope as the splendid high priest, of our age of prose and reason, of our excellent and indispensable eighteenth century. The Study of Poetry In The Study of Poetry, 1888 which opens his Essays in Criticism: Second series, in support of his plea for nobility in poetry, Arnold recalls Sainte-Beuve's reply to Napoleon, when latter said that charlatanism is found in everything. Arnold took up Aristotle's view, asserting that true greatness in poetry is given by the truth and seriousness of its subject matter, and by the high diction and movement in its style and manner, and although indebted to Joshua Reynolds for the expression 'grand style', Arnold gave it a new meaning when he used it in his lecture On Translating Homer 1861 : I think it will be found that that the grand style arises in poetry when a noble nature, poetically gifted, treats with simplicity or with a severity a serious subject.

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Matthew Arnold :: English Language Poet :: English Poetry

matthew arnold literary criticism

When it comes to Victorian critics, Matthew Arnold is unsurpassed. He found the Romantic idiom outworn. Here we see the genius of Burns. Lesson Summary Matthew Arnold was a poet and literary critic whose influence continued long after his death. It was also unfair of Arnold to compare the classical works in which figure the classical quartet, namely Achilles, Prometheus, Clytemnestra and Dido with Heamann and Dorothea, Childe Harold, Jocelyn, and 'The Excursion'. And naturally the poets to be exhibited in it will be assigned to those persons for exhibition who are known to prize them highly, rather than to those who have no special inclination towards them. Of such avail is poetic truth of substance, in its natural and necessary union with poetic truth of style.

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Matthew Arnold Literary Criticism

matthew arnold literary criticism

Arnold makes clear his disapproval of the vagaries of some of the Romantic poets. In lieu of an abstract, here is a brief excerpt of the content: Victorian Studies 43. Burns may triumph over his world, often he does triumph over his world, but let us observe how and where. Gray constantly studied and enjoyed Greek poetry and thus inherited their poetic point of view and their application of poetry to life. The Study of Poetry: on the age of Dryden and Pope The age of Dryden is regarded as superior to that of the others for 'sweetness of poetry'.

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