Fate acts as a recurring motif providing structure The artistic motif of fate that appears under a veil of many forms, these are chance, coincidence, time, women and conventions. But the infant Oedipus was saved by a shepherd. If you had only told me sooner, I would have forgiven you. This poignant tragedy portrays that one must take control of their destiny and be assertive. Tess was no towering heroin of huge desires; she was simple, humble, homely girl who asked only for a quiet happiness.
Thomas Hardy wrote this novel in the end of the last decade of the nineteenth century. He could not believe in a benevolent Providence; events were too plainly ironical, so they must have been contrived by a supernatural power. However there are many factors that contribute to the tragic heroines downfall. Discuss the character of Alec. But a chance meeting with Alec becomes fate's device for wrecking her chances of happiness.
Another trick he does into taking advantage of Tess is by buying her family a new horse and gifts for the children. He compares himself to Angel and tells her that Angel will never come back. Hardy felt that an evil power ruled the universe, defeating every endeavour of man to better his fortune or to find happiness. The first being that Tess Durbeyfield's father… 3684 Words 15 Pages Analysis of Tess of the D'Urbervilles by Thomas Hardy The depth of artistic unity found in Thomas Hardy's Tess of the D'Urbervilles pervades every chapter of the novel. She can be considered unlucky since the events are often spoken of as being out of her control. In this episode, Tess comes across a man who paints scripture across the countryside, and the reader learns even more about her character. While the rape can be attributed to Tess' attractiveness, Tess' nap and Alec's arrival while she is asleep are both features of fate.
So tragic downfall of Tess should not be labeled as surprised but it was inevitable as well as mandatory to augment the thematic expressions of the novel and machinations that Hardy utilizes. Traditionally, it was believed that tragedy was due to hamartia. Fate, along with tragic irony play a large part in this novel. So, fate had decreed that it would be like this. Hardy has a strong sense of accidental, coincidental, fate and bad luck.
At the end of the 9th chapter, Tess is whistling to Mrs. So, fate had decreed that it would be like this. Among the techniques he employs are the third person omniscient narrator, dialogues between the characters, letter writing, songs and poetry, religious and mythological allusions as well as extensive descriptions of the settings. Fate comes into the picture again after Angel leaves for South America. With his whimsical comment, made from the safety of a secure social position… 2196 Words 9 Pages novel it is clear that tragedy will taint the life of Hardy's protagonist.
These factors add together to persecute Tess who is very weak both in politics and in economy and the tragic fate of Tess is inevitable. Housewives were challenged that they have never before experienced such a quick and efficient cleaning effect on their kitchen utensils with any other product! Do you believe that the novel is a tragedy? However, later on when Shakespeare wrote his tragedies, he wrote his tragedies in a different manner. In Hardy's original version, Tess has no say at all in the rape that makes her pregnant; in the edited version, however, she willingly agrees to marry Alec only to find out later that she was deceived. When Tess catches Alec hiding behind the curtains, she becomes even more distrustful of him, checking the curtains every day thereafter. Undoubtedly, Tess's life is marked by two contradictory temperaments, those of the sensual Alec d'Urberville and the intellectual Angel Clare. So, fate had decreed that it would be like this.
As Tess notes, the religion has a tradition of holding up its greatest sinners as its greatest saints, yet the evidence that Alec has truly mended his ways seems incredibly doubtful. So, it destined in this way. Both characters are described with artistic detail to show a blend of weakness and strength governed by fate. Hardy embodies fate in various forms. But the circumstances under which she marries the gentleman and which gentleman she marries are still fuzzy.
But though to visit the sins of the fathers upon the children may be a morality good enough for divinities, it is scorned by average human nature; and it therefore does not mend the matter² This passage shows that it was not because of Tess¹s actions that this outrageous cruelty occurred to her. This is revealed after the ambiguous seen in which Tess was raped by Alec. Similarly, Hardy's deft control of atmosphere and setting to provide omens that enhance the reality that fate is an inescapable force, reinforces the psychological effect of Tess' failed attempts to dictate her own future. The meeting awakens Alec's dormant lust once again; he renounces his missionary's role and pursues Tess with a doggedness that surprises her. The excessive use of chance and coincidence by Hardy makes his stories somewhat implausible. Are his actions toward Tess ever motivated by love? She is dubbed the 'plaything' of the 'immortals' and it is obvious that the mark of the blood is upon her from the start. If this chance meeting had not occurred all would yet have been well with Tess.
So, the tragedy in Greece according to the classical western tradition owes its existence to the role of fate that there is a tragic end is a result of the fact that fate had decreed like this. This is symbolised at the club dance where Tess 'one of the white company' is the only one to have a 'red ribbon' in her hair. Her surrender to Alec, which completes her ruin, thus comes about as a result of coincidences. Hardy gave the countryside in the novel a fictional name of 'Wessex' and altered the names of the main places, to give them fictional names. If the reader looks superficially at the novel through the perspective of entertainment or a good read, the reader will ultimately miss the critical underpinnings of Victorian thought processes and ideals. Tess's mother is superstitious about keeping the Complete Fortune-Teller indoors after dark, so they tuck it into the outhouse. Tess' feelings are now so wounded that she changes her mind and decides to return to Flintcomb Ash without meeting Angel's parents.
Fate appears in the form of nature, the environment is transmuted by the moods that effect peoples lives. He seems to have more of a say or talk in this meeting and even has more control over Tess. From this we can establish Eliot does not see religion as being such a potent force as it once was. A little later she quarrels with her companions over a trivial matter when they are returning to Trantridge from Chaseborough. He could also draw parallels from the 1800s to his own time. Her actions and behaviour can count as a big encounter as we have seen as the story had progressed. The 11th chapter takes place after Alec spirits Tess away from the Queen of Spades when the two of them are alone walking through the woods.