Santiago battles the sharks unsuccessfully. And though he lost, he lost with a fight. Just before daylight the next morning, the fisherman was forced to cut his other lines in order to reel in the coils, so he lost the hooks, but he thought it would be worth it if he could eventually pull in this massive fish. At around ten o'clock, he sees the light of Havana and steers toward it. Santiago is confident that his unproductive streak will soon come to an end, and he resolves to sail out farther than usual the following day.
He kills the first shark easily, but while he does this, the other shark is ripping at the marlin underneath the boat. That way, if Santiago catches a big fish, Manolin and his new employer can help Santiago manage it. After forty days, though, Manolin's parents decide the old man was unlucky and ordered their son to join another boat. There are too many of them and they eat the flesh off the fish. After some struggle, he kills this shark as well. Our writers are no Hemingways, but they have vast experience in completing academic tasks. Summary There is an old fisherman in Cuba called , who has gone eighty-four days without a catch.
He wished he had the boy there to help him pull in the other lines. Santiago has a completely different attitude toward the marlin and the sharks. Recalling his exhaustion, Santiago decides that he must sleep some if he is to kill the marlin. The story begins, as you might expect, with an old man. She comments to her partner that she didn't know sharks had such beautiful tails. Then a bird landed on his boat, and he talked to it.
Convinced that his luck must change, Santiago takes his skiff far out into the deep waters of the Gulf Stream, where he soon hooks a giant marlin. As the sun comes up on Santiago's second day at sea, the marlin suddenly surges, pulling the line and cutting Santiago's hand. Summary of the Novel At only 27,000 words, The Old Man and the Sea is a fairly short novel. The essential physicality of the story—the smells of tar and salt and fish blood, the cramp and nausea and blind exhaustion of the old man, the terrifying death spasms of the great fish—is set against the qualities of dazzling light and water, isolation, and the swelling motion of the sea. The marlin symbolizes his triumph and rebirth as a respected fisherman. There is nothing he can do to change this. At last it is next to the skiff, and Santiago drove his harpoon into the marlin's chest.
Imagining them, the man is happy as with young Manolin. One of the best features of our service is that you release payments only after you get your completed task. Santiago continues holding the line, although it has been cutting into his hand for some time. It had followed the trail of blood the slain marlin left in its wake. When the fish jerked the line, the old man noticed that his hand was bleeding.
Everyone looks down on him because it has been so long since he has caught a fish. Why are the lions the main thing that is left? Determination defines the second characteristic that makes Santiago a noble hero. He believed in taking risks and acting upon instinct. He's not had much good fortune of late and has gone almost three months without a major catch while others are catching one or even two large marlins every week. This makes Santiago a noble hero. Santiago lets go of the sheet to swing broadside and reveal the shark underneath. Wait, make that the old man.
The old man knew the poison would cause him welts and irritation should he come in contact with it. These no-namers need to stick together. While the other men have many workers and helpers who hold several lines, Santiago has three lines all operated by his own hand. He took the tuna he had caught earlier and cut it into strips. Given the previously mentioned analogy between Santiago's eyes and the sea, one suspects that his strangeness in this regard has something to do with his relationship to the sea. It crashed into the sea, blinding Santiago with a shower of sea spray. Santiago falls back asleep and dreams the same dream that prompted him to go fishing in the first place.
As early as 1939, the year he moved to Cuba, Hemingway began planning an expansion of this kernel into a fully developed story that would become part of a larger volume. Santiago wraps the line around himself and leans against the bow to anchor himself, leaving his left hand on the rope to wake him if the marlin lurches. He realizes his mistake and that he cannot change what has already happened. Santiago is culturally a Spaniard and therefore a European. Then the old man saw one of his lines move. He expresses ambivalence over whether he wants the fish to jump, wanting to end the struggle as quickly as possible but worrying that the hook might slip out of the fish's mouth.